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who has always said that she was as beautiful as a princess. Sophie lives with a father who
鈥渃ouldn鈥檛 see she was special鈥 (3). The only affection Sophie remembers is that of her mother, who
showed it to her before she died. The mother is the one who starts this ego side of Sophie, since she
has told her daughter that she was 鈥渢oo beautiful for this world鈥 (3). Sophie鈥檚 ego is seen especially
in her daily beauty routine. In fact, Sophie rubs 鈥渇ish eggs into her skin鈥 for her 鈥渟pots,鈥 then
massages her skin with 鈥減umpkin puree鈥 and 鈥済oat鈥檚 milk鈥 and ending with 鈥渕ask of melon鈥 for
her face (3鈥4). But all that she does is only making herself look pretty, not 鈥渂ecoming鈥 pretty. As
Agatha underlines, for becoming Good, Sophie needs to work on 鈥渟omething inside,鈥 something
like 鈥渃ompassion or charity or kindness鈥 because these are the only things that matter, not being
good looking (254). Sophie鈥檚 ego is blinded by unreal things that Sophie has believed for years, and
since the ego is part of the conscious mind, the result is dangerous because she is not able to see her
true self.
Moreover, Sophie has admirers in Galvadon, and in both the school of Evil and Good, that
make her ego even stronger. The first of them is Radley, the ragged guy who lives close to Agatha鈥檚
cemetery. Sophie rejects Radley because she is 鈥渂eautiful鈥 while he is 鈥渦gly,鈥 finding him revolting
(7). The poor guy is fascinated by Sophie鈥檚 good looks and even Agatha thinks that he would like to
be with her. But Sophie rejects him brutally. Another admirer, Hort, like Radley, is ugly and
revolting. Sophie is horrified and she tries desperately to not touch his body since he is always
showing his bare chest. Even this time, Sophie considers herself too good and beautiful to be in
contact with someone as ugly and dirty as Hort. The last of the admirers is Tedros, King Arthur鈥檚
son. When Tedros asks her if it has been all a mistake and tells her that she does not belong to the
school of Evil, Sophie replies that she 鈥渉ad to play both sides in order to survive,鈥 and that she did
that for love (279). But Sophie is lying. In fact, to win Tedros鈥檚 love, she asks Agatha for her help
in passing her tests. In this way, Sophie appears determined and capable of fighting against evil and
bad circumstances. Of course, Tedros does not know that Sophie is not responsible for anything of
the things she has done to win his trust. So Sophie鈥檚 ego, created by her unconscious mind, can be
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